
Born in racially tensioned Vicksburg, Mississippi, Kelly was a southern gem with big dreams and empty pockets. From Mississippi to Atlanta to New York and ultimately Paris, Patrick Kelly became a mapmaker, leaving thimbles and thread everywhere he traveled. Embracing the city of light and finding his joie de vivre in Paris, Kelly went from selling his clothing on the street and being a costumer for a club, to presenting his first collection in 1985 (the same year Christian Lacroix introduced his groundbreaking le pouf dress to high society) and later, going on to become the first American admitted to the Chambre Syndicale du Prêt-à-Porte a prestigious organization of ready to wear fashion designers in France.

Before his shows, Kelly would give audience members black dolls with nappy hair and protruding bright red lips also known as a “pickaninny”. While many would question his reasoning behind using a doll that represented so much racial tension, Kelly would use the doll as a totem, connecting his culture and race to the fashion world. Slightly controversial, yes, but it became these symbols and images that made Kelly a famous designer in Paris and beyond.
To mix politics, high fashion and race is difficult, not impossible.
Fabulously yours,
Jennifer Pauline
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